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When i came to the ivory garden
I was already to late
All the buliding where set ablaze
The ground shook
The children cried
And with the smoke rising from the chaos in the streets,
I heard the last thing a thousand voices ever said:
"The end was always near"
And they all laid down
And no one moved
It went quiet in the ivory garden
So quiet
I looked for hours
For someone still with me
But when my kness finally sent dust through the air
I had already come to terms with the fact
I was alone again
~~~~~~~~~~~~~~~~~~~~~~~~~~~
Then to my astonishment
They stared moving again
And when a bell rang somewhere far away
A thousand voices started speaking again
I know is should have been glad
I should have been overjoyed
But when they noticed me
I just looked
Asking why
"Oh, we do this every year
otherwise there's nothing to do around here
We've got no famine
no disease, no violence
no wars
nothing that challenges us as a society
So we pretend like it's the end of the world once every year
everyones in on it
it spices things up a bit
and the childern love it"
I walked away from him
With one more thing lingering in my mind
If they're all just pretending,
Playing
Aren't they all children?
I guess that's a question for the ages
In the ivory garden
supported by 6 fans who also own “The Ivory Garden”
La traversée du désert n'aura pas duré quarante jours mais quatre longues années...
Avec Панихида, Батюшка renaît enfin de ses cendres et, bien que désormais seul (ou plus exactement entouré de deux chanteurs), Христофор accomplit un miracle. Il s'inscrit dans la continuité de Литоургиiа avec un black metal orthodoxe qui nous convie ici à une cérémonie dédiée aux morts. Sa vision est englobante : les mélodies, la gravité et le silence font toucher le paradis ; l'agressivité est luciférienne. Jordan Vauvert
supported by 6 fans who also own “The Ivory Garden”
This is wonderful. Great how you combine this music, integrated her voice. What an outstanding cooperation. Keep it up! I'll sure be looking ;) MyDogLikesRock
A post-hardcore megalith from the UK: churning guitars, spacey arrangements, and explosive vocals both screamed and sung. Bandcamp New & Notable May 8, 2019
Polish trio Melisa combine elements of noise rock, grindcore, mathcore, and sludge with lyrics that balance between poetic and political. Bandcamp New & Notable Jun 21, 2022
The post-hardcore band’s latest is a reflection on time, memory, death, and grief—and is their dreamiest material to date. Bandcamp Album of the Day Mar 22, 2019
supported by 4 fans who also own “The Ivory Garden”
Blackbraid quickly followed up their 2022 debut in 2023 with more native folk infused furious black metal. This is by no means a sophomore slump as it is equally excellent, methodical, melodical, and approachable as the first record. 9/10 RJ