Tengil Sweden
Sakarias:
Vocals, Noise
Pontus:
Guitar, Noise
Kalle:
Bass, Noise
Tobias:
Drums, Visuals
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PSA: if there was an album you heard a couple years ago and thought it was ok, listen to it again and you might love it. That's what happened to me with this album. I cannot fathom why it didn't stick with me back then. Same thing happened with Decoherence's Unitarity for that matter.
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supported by 33 fans who also own “And the best was yet to come”
Powerful, plaintive expression of the fathomless sorrow of our suffering cetaceans and their depthless home, together with the indescribable loveliness of their distant blue-black realm. I feel as much interstellar space here as I do deep ocean, equally crushing and buoying.
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supported by 31 fans who also own “And the best was yet to come”
I have owned this digital release for some time but wanted to go back and support Jayn's project in the most positive, physical-release way possible. She's a triumphant and majestic executor of the doom-laden mantle of melancholy.
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Zasługuję na istnienie
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Polish trio Melisa combine elements of noise rock, grindcore, mathcore, and sludge with lyrics that balance between poetic and political.
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Harsh noise and shoegaze meet for an industrial sound that has more than a whiff of My Bloody Valentine.
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On Sannhet’s latest album, produced by Peter Katis (Interpol, The National), their heaving instrumentals have new depth and breadth.
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supported by 30 fans who also own “And the best was yet to come”
Pure, utter perfection. One of the best neofolk albums ever.
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